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Theses/Dissertations from 2020

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Performance History of Mahler’s Das Lied Von Der Erde Focusing on Bruno Walter and Leonard Bernstein, Nisan Ak

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The Mathematics of Rubato: Analyzing Expressivetiming in Sergei Rachmaninoff’s Performances of Hisown Music, Meilun An

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Electronic Learning: An Educator’s Guide to Navigating Online Learning in a Collegiate Horn Studio, Michelle Beck

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The Clarinet Music of Dr. Austin Jaquith: A Performance Guide, Zachary Aaron Bond

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Young Children’s Behaviors During Favorite-Music Repertoire And Other-Music Repertoire, Vanessa Caswell

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Five Pieces for Piano by Isang Yun and Piano Etude No.1 by Unsuk Chin: An Analysis, Inhye Cho

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Natural Reed Enhancement: Establishing the First Universal Reed Break-In Process Through Hydro-Stabilization, Steven Isaac Christ

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Performance Edition of Franz Simandl’s 30 Etudes for the String Bass With Critical Commentary, Austin Gaboriau

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A Legacy Preserved: A Comparison of the Careers and Recordings of Stanley Drucker and Karl Leister, Peter M. Geldrich

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An Index of Choral Music Performed During the National Conventions of the American Choral Directors Association (1991-2019), Jonathan Randall Hall

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A Stylistic Analysis of Reinhold Glière’s 25 Preludes for Piano, Op. 30, Sunjoo Lee

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The Singing Voice Specialist: An Essential Bridge Between Two Worlds, Rebecca Holbrook Loar

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A Pedagogical Analysis of DvořáK’s Poetic Tone Pictures, Op. 85, Nathan MacAvoy

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Focal Dystonia Causes and Treatments: A Guide for Pianists, Juan Nicolás Morales Espitia

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Cultivating Socially Just Concert Programming Perspectives through Preservice Music Teachers' Band Experiences: A Multiple Case Study, Christian Matthew Noon

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The Clarinet Repertoire of Puerto Rico: An Annotated Bibliography of Compositions Written for the Clarinet During the Twentieth and Twenty-First Centuries, María Ivelisse Ortiz-Laboy

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A Stylistic Analysis of Alexander Tcherepnin's Piano Concerto No. 4, Op. 78, With an Emphasis on Eurasian Influences, Qin Ouyang

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Time’s Up: How Opera Is Facing Its Own Me Too Reckoning, Craig Price

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A Trumpet Player’s Performance Guide of Three Selected Works for Trumpet, Cello, and Piano, Justin Wayne Robinson

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The Early Piano Music of Richard Wagner, Annie Rose Tindall-Gibson

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A Conductor’s Guide to the Da Vinci Requiem by Cecilia McDowall, Jantsen Blake Touchstone

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Composition of Musical and Visual Devices to Create Moments of Resolution in Marching Arts Production Design, Ryan John Williams

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Romanticism in Nineteenth-Century Russian Nationalistic Music: Case Studies of Glinka’s Ruslan and Lyudmila and Cui’s Mystic Chorus, Jeffrey Crayton Yelverton Jr.

Theses/Dissertations from 2019

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Communicative Language in the Compositional Output of Kirke Mechem, Kirstina Rasmussen Collins

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Vladimir Pleshakov: A Historiography And Analysis of his Liturgy of St. John Chrysostom, Andrew Cameron Pittman

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An Analysis of the Compositional Technique and Structures of Howard Hanson's Symphony No. 1 in E Minor, Op. 22 “Nordic”, Eunseok Seo

Theses/Dissertations from 2018

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Serial Techniques in Works for Unaccompanied Trumpet, William Anonie

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Examining Professional Music Teacher Identity: A Mixed Methods Approach with Stringed Instrument Teachers, Elizabeth A. Reed

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Guided Music Play Between 2-Year-Old Children and a Music Play Facilitator: A Case Study, Kathleen Kaye Arrasmith

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Parents’ Observations Of Their Young Children’s Music Behaviors During Music Classes After Completing The Children’s Music Behavior Inventory, Julia Beck

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A Theoretical and Stylistic Analysis of Paul Ben-Haim’s Five Pieces for Piano, Op. 34 and Piano Sonata, Op. 49, Rachel Bletstein

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The Influence Of Mindful Movement On Elementary Students’ Music Listening Enjoyment And Comprehension, Jean Louise Boiteau

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Delphine Ugalde: Defying Gender Norms Both On And Off The Stage In 19th Century Paris, Michael T. Brown

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A Guide for Playing the Viola Without a Shoulder Rest, Chin Wei Chang

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Tertian Relationships In Three Choral Selections By Dan Forrest: A Conductor’s Analysis, Lindsey Cope

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Translucent Voices: Creating Sound Pedagogy And Safe Spaces For Transgender Singers In The Choral Rehearsal, Gerald Dorsey Gurss

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Seventeen Waltzes For Piano By Leo Ornstein: A Stylistic Analysis, Jared Jones

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The Kingma System Flute: Redesigning The Nineteenth-Century Flute For The Twenty-First Century, Diane Elise Kessel

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The Effects Of Learning By Rote With La-Based Minor Solmization On Memory Retention For Pre-College Piano Students, Duong Khuc

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Diction For Mandarin/Chinese Singers: A Methodology To Achieve Resonant Tone And Vowel Unification In Western Choral Music, Chien-Yi Li

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Attitudes And Thoughts On Tone Quality In Historic Piano Teaching Treatises, Jeongsun Lim

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A Conductor’s Guide to Camille Saint-Saëns’s Messe de Requiem Op. 54, Thomas R. Matrone

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The Tie That Binds: The History, Conductors, And Music Of The Mystic Area Ecumenical Choir Festival, Mark Daniel Merritt

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A Complete History Of Rico Reeds, Neal Postma

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Solo Violin Works Influenced By Romanian Lăutari Music, Essena Liah Setaro

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Experimental Music In Higher Education: Toward A Pedagogy Of Creativity, Philip Melancthon Snyder V

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Teaching Musically: Incorporating Dalcroze Pedagogy Into Flute Instruction For The Elementary-Age Student, Emily M. Stumpf

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The Rise Of The Chinese Concerto: A Look Into The Developments Of Chinese Traditional Instrument Concerti With Western Orchestra, Alex Alex Wise

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Analyzing And Comparing Selected Works For Violin And Piano By Chen Gang, Chen Guoquan And Bright Sheng, Liangjun Zou

Theses/Dissertations from 2017

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An Analysis of Akira Miyoshi’s “Miyoshi Piano Method: 12 Progressive Propositions Piano Method”, Azusa Higotani Bies

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An Investigative Study Measuring Self-Reported Metacognitive Habits Among Collegiate Piano Majors, Steven Phillip Brundage

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An Exploration Of Characterizations In JAC Redford’s Oratorio The Martyrdom Of Saint Polycarp, Melanie Cross Buckner

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The Life and Legacy of Samul Feinberg, Solomon Eichner

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An Exploration of the Availability and Implementation of Undergraduate Degrees in Conducting in the United States, Erik Lee Garriott

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The Political Suppression of the Saxophone and its Subsequent Pedagogical Development in Select Non-Democratic Countries, Sheldon Jerome Johnson Jr.

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The Development Of Contemporary Music By Korean Composers: Analyses Of Piano Works By Isang Yun, Young Jo Lee And U Zong Choe, Song E. Kim

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The Eccentric Compositional Style of Mark Applebaum: An Analysis of his Acoustic Percussion Works, Richard Shane Reeves

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Arvo Part, Sieben Magnificat-Antiphonen: A Transcription for Wind Ensemble, Julian Hartridge Sconyers III

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Mcneil Robinson as Choral Musician A Survey of his Choral Works for the Christian and Jewish Traditions, Jason Allen Wright

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An Analytical Study of the Britten Violin Concerto, Op.15, Shr-Han Wu

Theses/Dissertations from 2016

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The Choral Music Of Daron Aric Hagen And A Conductor’s Analysis of Flight Music, Jay B. Aiken

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Music Majors And Meditation Practice: A Phenomenological Study, Travis N. Baird

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An Analysis of Selected Art Songs for High Voice by Adolphus Hailstork, A Performer's Guide, Angela Renee Blalock

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21st Century Choral Performance Practice: Presenting the Mash-Up With Practical Applications, Justin Xavier Carteret

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A Survey of Attitudes Towards Burnout Among Music Students at The University of South Carolina School of Music, Philip David Castro

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The Wind Works Of Louis Andriessen: A History And Comparative Analysis, Paul Adam De Cinque

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A Comprehensive Examination Of The Saxophone Chamber Music Of John Fitz Rogers, Gabriel Michael Anthony Fadale

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A Performance Practice Guide For Select Baroque Transcriptions For Clarinet, Michael Brady Hough

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Social Music Interaction between Three-year-old Children and a Music Teacher, Erika Michelle Hubbell

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Post-Genre: Understanding The Classical-Jazz Hybrid Of Third Stream Music Through The Guitar Works Of Frederic Hand, Ralph Towner, And Ken Hatfield, Andrew Jurik

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The Music of Nicola Ferro: A Description and Performance Guide to Tetralogy of the Sun Suite and Annotated Guide to Published Works, Bradley James Keesler

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The Original Wind Band Music Of Ulysses Kay: A Conductor’s Guide, Tremon B. Kizer

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The Electric Marimba: A Study Of Selected Works For Marimba With Electronic Effect, Brett Bernard Landry

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Samuel Barber’s Settings of James Joyce’s Chamber Music: A Proposal for a Posthumous Song Cycle, Michael Pierre LaRoche

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Teresa Carreno: Pianist, Composer and Pedagogue. Her Life And Work From The Perspective Of Virtuoso Piano Playing At The End Of The 19th Century, Claudio Olivera

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The Guitar and Hausmusik in the Late 18th and Early 19th Centuries, Jeremy Polley

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Paul Jacobs, Elliott Carter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies, Alan Michael Rudell

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The Influence Of Romantic Poetry On The Career And Music Of Nicolas Medtner, Denise Rudell

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The Prepared Flute: A Survey of its History, Techniques, and Repertoire, Stacey Lee Russell

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A History Of The Plagal-Amen Cadence, Jason Terry

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Creating and Implementing Community-Based Performance Programs: A Guide for the Applied Studio Teacher, Lauren Watkins

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Most Recommended Choral Music: A Survey Of High School State Choral Festival Repertoire Lists, James B. Watson

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The Choral Music of Keaton Lee Scott With A Conductor’s Analysis Of Requiem, Damion Womack

Theses/Dissertations from 2015

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A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher, Diana Carol Amos

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Gestalt Principles in Ligeti’s Piano Etude “Desordre”, David William Batchelor

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An Annotated Bibliography of Saxophone Works by Taiwanese Composers, Po-Fang Chang

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Expanding the American Canon: A Conductor's Compendium of Black American Orchestral Composers, Nseobong Ekpo

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Two Pieces for Bassoon by Dan Welcher: a Guide to Performance and Analysis, Including a Survey of Welcher’s Chamber Music with Bassoon, Reed Aaron Hanna

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H. Villa-Lobos' Concerto Para Piano E Orquestra N. 4: A Stylistic Analysis, Vicente Della Tonia Junior

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Olivier Messiaen’s COULEURS DE LA CITÉ CÉLESTE: A Conductor’s Guide, Michael Thomas King

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Frank Martin's Arranged Works for Flute: Sonata Da Chiesa and Deuxieme Ballade, Jessica Dixon Leeth

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H. Leslie Adams' Twenty-Six Etudes for Solo Piano: A Performance and Stylistic Analysis, Aaron Balthazar Mathews

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Carl Friedrich Zelter’s Kantate Auf Den Tod Friedrichs: An Historical Overview, Conductor’s Guide, And Modern Edition, Dustin C. Ousley

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Teachers’ Observations of 2-Year-Old Children’s Musical Vocalizations Elicited by Purposeful Silence Techniques, Kathryn Ward Reardon

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The Wind Ensemble Trilogy of Joseph Schwantner: An Examination of the Close Musical Relationship Between "And the Mountains Rising Nowhere," "From a Dark Millennium," and "In Evening's Stillness..." With an Approach to Programming the Works as a Trilogy, James Willson Taylor II

Theses/Dissertations from 2014

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A Soul Composed of Harmonies: George Herbert's Life, Writings, and Choral Settings of His English Poetry, Benjamin Todd Ebner

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A Performer's Guide for Two Solo Song Cycles by Darius Milhaud (1892-1974): Catalogue de fleurs, opus 60 & Six Chansons de Théâtre, opus 151b, Jolene Elizabeth Flory

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Arts Entrepreneurship: An Essential Sub-System of the Artist's Meta-Praxis, Jonathan Gangi

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SHAPE-NOTE HYMNODY AS SOURCE MATERIAL FOR MODERN AND POST-MODERN CHORAL ART MUSIC, David C. Guthrie

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Expansion and Contraction in Movements I and VII of Gyorgy Ligeti's Hamburg Concerto, Andrew Charles Hannon