Theses/Dissertations from 2018
A Complete History Of Rico Reeds, Neal Postma
Solo Violin Works Influenced By Romanian Lăutari Music, Essena Liah Setaro
Experimental Music In Higher Education: Toward A Pedagogy Of Creativity, Philip Melancthon Snyder V
Teaching Musically: Incorporating Dalcroze Pedagogy Into Flute Instruction For The Elementary-Age Student, Emily M. Stumpf
The Rise Of The Chinese Concerto: A Look Into The Developments Of Chinese Traditional Instrument Concerti With Western Orchestra, Alex Alex Wise
Analyzing And Comparing Selected Works For Violin And Piano By Chen Gang, Chen Guoquan And Bright Sheng, Liangjun Zou
Theses/Dissertations from 2017
An Analysis of Akira Miyoshi’s “Miyoshi Piano Method: 12 Progressive Propositions Piano Method”, Azusa Higotani Bies
An Investigative Study Measuring Self-Reported Metacognitive Habits Among Collegiate Piano Majors, Steven Phillip Brundage
An Exploration Of Characterizations In JAC Redford’s Oratorio The Martyrdom Of Saint Polycarp, Melanie Cross Buckner
The Life and Legacy of Samul Feinberg, Solomon Eichner
An Exploration of the Availability and Implementation of Undergraduate Degrees in Conducting in the United States, Erik Lee Garriott
The Political Suppression of the Saxophone and its Subsequent Pedagogical Development in Select Non-Democratic Countries, Sheldon Jerome Johnson Jr.
The Eccentric Compositional Style of Mark Applebaum: An Analysis of his Acoustic Percussion Works, Richard Shane Reeves
Arvo Part, Sieben Magnificat-Antiphonen: A Transcription for Wind Ensemble, Julian Hartridge Sconyers III
Mcneil Robinson as Choral Musician A Survey of his Choral Works for the Christian and Jewish Traditions, Jason Allen Wright
An Analytical Study of the Britten Violin Concerto, Op.15, Shr-Han Wu
Theses/Dissertations from 2016
The Choral Music Of Daron Aric Hagen And A Conductor’s Analysis of Flight Music, Jay B. Aiken
Music Majors And Meditation Practice: A Phenomenological Study, Travis N. Baird
An Analysis of Selected Art Songs for High Voice by Adolphus Hailstork, A Performer's Guide, Angela Renee Blalock
21st Century Choral Performance Practice: Presenting the Mash-Up With Practical Applications, Justin Xavier Carteret
A Survey of Attitudes Towards Burnout Among Music Students at The University of South Carolina School of Music, Philip David Castro
The Wind Works Of Louis Andriessen: A History And Comparative Analysis, Paul Adam De Cinque
A Comprehensive Examination Of The Saxophone Chamber Music Of John Fitz Rogers, Gabriel Michael Anthony Fadale
A Performance Practice Guide For Select Baroque Transcriptions For Clarinet, Michael Brady Hough
Social Music Interaction between Three-year-old Children and a Music Teacher, Erika Michelle Hubbell
The Music of Nicola Ferro: A Description and Performance Guide to Tetralogy of the Sun Suite and Annotated Guide to Published Works, Bradley James Keesler
The Original Wind Band Music Of Ulysses Kay: A Conductor’s Guide, Tremon B. Kizer
The Electric Marimba: A Study Of Selected Works For Marimba With Electronic Effect, Brett Bernard Landry
Samuel Barber’s Settings of James Joyce’s Chamber Music: A Proposal for a Posthumous Song Cycle, Michael Pierre LaRoche
Teresa Carreno: Pianist, Composer and Pedagogue. Her Life And Work From The Perspective Of Virtuoso Piano Playing At The End Of The 19th Century, Claudio Olivera
The Guitar and Hausmusik in the Late 18th and Early 19th Centuries, Jeremy Polley
Paul Jacobs, Elliott Carter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies, Alan Michael Rudell
The Influence Of Romantic Poetry On The Career And Music Of Nicolas Medtner, Denise Rudell
The Prepared Flute: A Survey of its History, Techniques, and Repertoire, Stacey Lee Russell
A History Of The Plagal-Amen Cadence, Jason Terry
Creating and Implementing Community-Based Performance Programs: A Guide for the Applied Studio Teacher, Lauren Watkins
Most Recommended Choral Music: A Survey Of High School State Choral Festival Repertoire Lists, James B. Watson
The Choral Music of Keaton Lee Scott With A Conductor’s Analysis Of Requiem, Damion Womack
Theses/Dissertations from 2015
A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher, Diana Carol Amos
Gestalt Principles in Ligeti’s Piano Etude “Desordre”, David William Batchelor
An Annotated Bibliography of Saxophone Works by Taiwanese Composers, Po-Fang Chang
Expanding the American Canon: A Conductor's Compendium of Black American Orchestral Composers, Nseobong Ekpo
Two Pieces for Bassoon by Dan Welcher: a Guide to Performance and Analysis, Including a Survey of Welcher’s Chamber Music with Bassoon, Reed Aaron Hanna
H. Villa-Lobos' Concerto Para Piano E Orquestra N. 4: A Stylistic Analysis, Vicente Della Tonia Junior
Olivier Messiaen’s COULEURS DE LA CITÉ CÉLESTE: A Conductor’s Guide, Michael Thomas King
Frank Martin's Arranged Works for Flute: Sonata Da Chiesa and Deuxieme Ballade, Jessica Dixon Leeth
H. Leslie Adams' Twenty-Six Etudes for Solo Piano: A Performance and Stylistic Analysis, Aaron Balthazar Mathews
Carl Friedrich Zelter’s Kantate Auf Den Tod Friedrichs: An Historical Overview, Conductor’s Guide, And Modern Edition, Dustin C. Ousley
Teachers’ Observations of 2-Year-Old Children’s Musical Vocalizations Elicited by Purposeful Silence Techniques, Kathryn Ward Reardon
Theses/Dissertations from 2014
A Soul Composed of Harmonies: George Herbert's Life, Writings, and Choral Settings of His English Poetry, Benjamin Todd Ebner
A Performer's Guide for Two Solo Song Cycles by Darius Milhaud (1892-1974): Catalogue de fleurs, opus 60 & Six Chansons de Théâtre, opus 151b, Jolene Elizabeth Flory
Arts Entrepreneurship: An Essential Sub-System of the Artist's Meta-Praxis, Jonathan Gangi
SHAPE-NOTE HYMNODY AS SOURCE MATERIAL FOR MODERN AND POST-MODERN CHORAL ART MUSIC, David C. Guthrie
Expansion and Contraction in Movements I and VII of Gyorgy Ligeti's Hamburg Concerto, Andrew Charles Hannon
A Musical Analysis and Edition of the Cantata, Raymond Hebert
AHARON HARLAP'S DAVID AND GOLIATH A CONDUCTOR'S GUIDE AND MUSICAL ANALYSIS, TOMMER N. HESSEG
Critical Editions and Comparative Analysis of Three Representative Wind Band Works from the French Revolution, Adam Gary Kehl
Improvisation in a Fourth-Grade Music Class, Lauren Julia King Driscoll
The Culture and History Surrounding “Szomorú nόták” of Béla Bartόk’s Twenty Hungarian Folksongs and Its Influence on Bartók’s Settings, Mary Katherine Rawls
The Conscious Guitarist: Alexander Technique and Body Mapping for Guitarists, Alma Sehic
Effects of Sight Singing Using Moveable-DO Solmization on the Transposition Performance of Undergraduate Group Piano Students, Michelle Irene Wachter
The Remaking of an American Opera: A Detailed Look at Carlisle Floyd's Grand Opera 'The Passion of Jonathan Wade', Joshua R. Wentz
Theses/Dissertations from 2013
Atmospheric Patterns and Asian Typhoon Landfalls, Ivetta Abramyan
The Symphonious Saxophone: A History of the Large Saxophone Ensemble with a Quantitative Analysis of Its Original Literature, Andrew Justin Allen
The Symphonious Saxophone: A History of the Large Saxophone Ensemble With A Quantitative Analysis of Its Original Literature, Andrew Justin Allen
The Music of James Reese Europe For Vernon and Irene Castle, Ralph G. Barrett
Three Musical Translations For Trumpet and Organ Based On Visual Artwork., John Harrison Bryant
Comparative Audiation Difficulty of tonal, Rhythm, and Melodic Patterns Among Grade 4 Students, Alan Danahy
The Wind Chamber Works of Ernst toch: A History and Comparative Analysis, C. Nicole Gross
An Essay on Musical Narrative Theory and Its Role in Interpretation, with Analyses of Works for Saxophone by Alfred Desenclos and John Harbison, Ian MacDonald Jeffress
Josef Hofmann: An Analysis of Selected Solo Piano Works, Steven Joseph Mastrogiacomo
Piano Music of Elisenda FÁbregas: A Stylistic Analysis, JINHA PARK
Forgotten Russian Piano Music: the Sonatas of Anatoly Aleksandrov, Irina Pevzner
The Artist's Gauntlet: A Singers' Physiological Responses to the Stimuli of Rehearsing and Performing, John H. Pritchard
An Analysis of and Conductor's Guide to Eleanor Daley's Requiem, Andrew James Robinette
Chamber Music in Alternative Venues In the 21st Century U.S.: Investigating the Effect of New Venues On Concert Culture, Programming and the Business of Classical Music, Sarah May Robinson
An Investigation of Selected Collegiate Voice Teachers' Descriptions of Repertoire Selection Practices., David Stephenson
Made in Japan: Kumi-Daiko as a New Art Form, Anna Marie Viviano
Conrad Susa's Discovery and Praises: A Conductor'S Guide to Performance Considerations, Keith Harry Walker
A Case Study of Three African-American String Players Participating in a Community Orchestra, Kimberly Prescott Williams
Theses/Dissertations from 2012
Twelve-tone Techniques in a Work for Guitar by Milton Babbitt, Brian Bemman
Gustav Mahler and His Disciples: An Exploration of Tempo In the Bruno Walter and Otto Klemperer Recordings of the Ninth Symphony, Matthew Busse
Supporting the New English Translation of the Mass Ordinary: New Musical Resources For the Liturgy, Jose Calvar, III
An Analysis of Arnold Schoenberg's Orchestral Transcription of Johannes Brahms's Piano Quartet NO.1, OPUS 25, Nové Deypalan
Survey of Outreach offerings and Practices In Piano Areas of Community Music Schools Affiliated With Colleges and Universities Accredited by the National Association of Schools of Music, Anna Cheyenne Hamilton
The Pitched Metronome: An Audition Preparation Resource For Trombonists, Justin Ross Isenhour
Three Piano Pedagogues and Their Contributions to the Development of Piano Pedagogy In South Korea, Eunsung Jung
Musical Humor and Beethoven's Symphonic Scherzi, Peter B. Kay
The Choral Music of Donald Mccullough, Susan Marie Kelly
A Scholarly Performance Edition of Selected Anthems, 24 December 1767, by Johannes Herbst, Moravian-American Composer, Daniel Kreider
An Analysis of Max Reger's Suites for Unaccompanied Cello, Brenda Heidhoff Leonard
A Comparative Analysis of the First and Second Symphonies of Émigré Composer Hans Gál (1890-1987), Richard Marcus
A Case for Music as Therapy: “Healing and Purgation,” and the Expressiveness of Music from Antiquity through the Eighteenth Century, Emily Sara Monk
The Self-Efficacy Beliefs of Three Adults Returning to Piano Study, Sarah Evans Moore