Theses/Dissertations from 2012
The Late Unaccompanied Choral works of Ralph Vaughan Williams: A Conductor's Analysis and Performance Guide, David Lee Schroeder
Adult Amateur Musicians and Melodic Error Detection, Matthew D. Talbert
Theses/Dissertations from 2011
Modeste Mussorgsky's Songs and Dances of Death (A Performer's Guide), Peter Alan Barton
Rebecca Clarke's Sonata for Viola and Piano and William Walton's Concerto for Viola and Orchestra: A Comparison of Form and Viola Technique, Alvoy Louis Bryan, Jr.
Theories of Rhythm and Meter and Their Pedagogical Implications For Non-Pitched Percussion Music With An Analysis of William Kraft's French Suite, Christopher Allan Davis
Contemporary Brazilian Styles: Supplemental Piano Teaching Materials for a First Year Curriculum, Claudia Fernanda Deltregia
A Stylistic Analysis of Stephen Heller's Nuits Blanches OP. 82, Junichiro Harada
Amount of Practice and Practice Strategies of Seventh Grade Orchestra Students, Virginia Elaine Harpine
The Organ As Catalyst For Theological Change: The History and Role of the Organ At Kahal Kadosh Beth Elohim, Charleston, South Carolina, Jennifer Zoellner Marshall
The Necessity of Extra-Curricular Activities For the Undergraduate Vocal Performance Major: How Performance Opportunity Correlates With Success, Zachary Kendall Marshall
A Survey of Music Performance Anxiety: Definition, Causes and Treatments, Lacey Hutchison Marye
The Growth of Third Stream Music In the Wind Band Repertory: A Study of Jazz Influences In Three Selected Compositions, David Wilson Montgomery
The Rescuer in Danger: A Scholarly Performance Edition of Franz Xaver Süssmayr's Secular Cantata, Der Retter in Gefahr, Mark Nabholz
John Gary Cook: Methodology of A Master Music Educator, Mohamad S. Schuman, Jr.
Buttitta's Folk Opera Diggin' the Ring: The Ring Cycle, Songs of Protest, and the American Left, Ryan F. Smith
The Solo Piano Works of Henri Dutilleux: A Stylistic Analysis, Rosemarie Suniga
Theses/Dissertations from 2010
William Averitt's "Passion of Our Lord Jesus Christ According to St. Matthew": An Analysis With Conducting Considerations, Jennifer J. Adam
Todor Popov: A Historiography and A Conductor's Analysis of His Choral Cycles, Matthew Thomas Caine
Allure and Ideology in the Poetry of Gabriele D'Annunzio: Rediscovering Italian Art Song in Pre-Fascist Italy (1900-1930), Serena Dawn Hill
Towards An Understanding of Contemporary Korean-American Choral Music: Three Works by Hyun Chul Lee, Nack Kum Paik, and Dong Hwa Shin, HYUN-KU HELEN KANG
A Comparison of the Styles of Liszt, Thalberg, Pixis, Herz, Czerny, and Chopin as Seen in Hexaméron, Seung-Ah Kim
Claude Debussy's Nocturnes and His Musical Style In the1890s, Chun-Yi Liu
Joint Music Attention Between toddlers and A Music Teacher, Anne A. McNair
Scriabin's Harmonic Language: Manifestations of Symmetry In Opus 52 and A Transcription For Chamber Orchestra, Suzanna Pavlovsky
Lost In the Revival: The Sacred Choral Music of Cyril Bradley Rootham (1875-1938), Clay Price
Survey of the Integration of Learning Theories In American Undergraduate Piano Pedagogy Curricula, Michael W. Rushing
Kindergarten Students' tonal Pattern Creativity and Developmental Music Aptitude, Tamara Lynn Willing
Philippine Choral Music: A Conductor's Guide to Selected Works Composed Between 1900 and 2010, Eliezer Garanchon Yanson
Theses/Dissertations from 2009
Robert Schumann'S Grand Sonata No. 3, Op. 14 In F-Minor - "Concert Sans Orchestre": A Performance Analysis, Boyan Stoyanov Lekov
The Aging Female Voice: Medical Treatments and Pedagogical Techniques For Combatting the Effects of Aging With Emphasis On Menopause, Catherine Froneberger Siarris
Text Selection and Musical Treatment In Selected Choral Works of Jean Belmont Ford, Adam Walker Stich
Theses/Dissertations from 2001
Gustav Mahler - Conductor as Interpreter: A Comprehensive Study of the Bach-Mahler Suite for Orchestra, Bryce Mara Seliger