Date of Award
12-14-2015
Document Type
Open Access Dissertation
Department
School of Music
First Advisor
Scott Weiss
Abstract
Joseph Schwantner’s Trilogy for Wind Ensemble consisting of and the mountains rising nowhere (1977), From a Dark Millennium (1981), and In evening’s stillness… (1996) presents a unique problem. While it is clear that the composer’s intent is that the works be considered smaller parts of a whole, there are several complications to negotiate in order to both perform and appreciate the works as a trilogy. This document is a study of the characteristics that bind these pieces despite their seemingly disparate qualities, including such major components as programmatic inspiration, instrumental requirements, compositional traits, and pitch and rhythmic material. Additionally, it provides a logistical blueprint for performing the trilogy including performance order, seating arrangements, and percussion equipment management with the desired result being more performances of the trilogy as the composer intends.
Rights
© 2015, James Willson Taylor II
Recommended Citation
Taylor, J. W.(2015). The Wind Ensemble Trilogy of Joseph Schwantner: An Examination of the Close Musical Relationship Between "And the Mountains Rising Nowhere," "From a Dark Millennium," and "In Evening's Stillness..." With an Approach to Programming the Works as a Trilogy. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3226