Date of Award
Fall 2025
Document Type
Open Access Dissertation
Department
School of Music
First Advisor
Scott Weiss
Abstract
The 19th-century music scene boasts countless names, but some, like Robert Volkmann (1815–1883), have faded from the spotlight despite his prolific output as a composer, conductor, and educator. Volkmann’s music remains largely unknown and unperformed, waiting to be rediscovered. This lack of recognition provides a compelling opportunity to appreciate a talented composer and rekindle interest in his music. While scholarly inquiries into Volkmann are rare, delving into his major orchestral works, particularly his two symphonies, offers not only an understanding of his artistry but also a chance to revive interest in his captivating music.
Robert Volkmann composed only two symphonies throughout his life. Volkmann’s symphonies stand out for their distinct personalities. Symphony No. 1 explores profound themes and powerful emotions, while Symphony No. 2 embraces a lighter, more joyful spirit. Interestingly, the latter even echoes the simplicity of the Classical era, reminiscent of composers like Haydn.
This study aims to revive interest in the underappreciated 19th-century composer, Robert Volkmann by analyzing his unique style through a comparison of his first and second symphonies, and highlighting their key features. Additionally, this exploration not only provides valuable insights into Volkmann’s overall musical approach, but also serves to encourage further exploration of his other works.
Rights
©2025, Baha Lee
Recommended Citation
Lee, B.(2025). A Comparative Analysis of Two Symphonies by Robert Volkmann: Symphony No. 1 in D Minor, Op. 44, and Symphony No. 2 in B-Flat Major, Op. 53. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/8655