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Theses/Dissertations from 2022

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Growing up Water, Dominique Barbee

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Methodological Mutability: Shifting Research in the Rhetoric of Health and Medicine, John Schuler Benson III

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That Strange Darkness, Matthew Boedy

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Poetic Self-Representation Among Russian and British Female Poets in the Late 18th and Early 19th Centuries, Ulyana Brewer

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Fireweed, Robert Kopfensteiner

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Metaphors of Memory: Complexity and the Fourth Canon, Amber Lee

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Screwball, Alexandra Mayer

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Brave Irene, Nicole McCaffety

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Bough and Hollow, Jeffrey Dylan Nutter

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Restoring Paradise Through Providence: The Emergence of the Serendipitous Hero in the Hunger Games, Alexandra Elizabeth Oberempt

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Stasis, Eric Pahre

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The Whale Hunt and Other Stories, Bradley Petit

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Trans-Atlantic Composition: The History of British Academic Writing, Gareth George Rees-White

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Creating Discursive Spaces to Promote Productive Discourse and Dissuading Sectarianism in Online Political Enclaves on TikTok, Kenneth Root

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Race and Technology in Southern Literature, Civil War to Civil Rights, Kaitlyn Elizabeth Smith

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‘Conspiring Together’: Woolf’s Investigations on ‘Party Consciousness’ and Interwar Instability in Mrs. Dalloway and To The Lighthouse, Madeline Smith

Theses/Dissertations from 2021

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There Fly the Crows, Daniel R. Adler

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“What can there be but witchcraft?”: History, Women, and Witches in Sylvia Townsend Warner’s Lolly Willowes and Graham Swift’s Waterland, Thomas Bedenbaugh

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Southern United States English as a Rhetorical Device in The Field of Marketing: A Study and Implications for Business Writing Pedagogy, Megan Jacklynn Busch

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“Power and the Orientations of Resistance in Twentieth-Century American Literature”, Victoria Eleanor Chandler

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Spatial Orphans: Cultural Mobility and the Extranatural in Black American Literature, Kelsey Nichole Flint-Martin

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Postcapitalist Desert Visions from Earth to Anarres, David J. Goff

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Sanctuary Poetics and Contemporary US Culture, Alex Howerton

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This World Hasn’t Killed Us Yet, Marcus Jamison

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Transgressive Migrations: Gender Roles, Space, and Place In American Novels, 1900-1999, Selena Gail Larkin

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Lake Water Inventory, Katarina Merlini

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Capable, Arianna Elise Miller

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“Where Beauty and Anguish Had Contended”: Eden, Gender, and Creativity in Melville’s Pierre, Kersey Reynolds

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“Everything Will Be as It Is Now, Just a Little Different”: Affectively Imagining Alternative Worlds in Ben Lerner’s 10:04, Grace Riley

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Cult of The Day Moon, Markham Sigler

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Reimagining Prince Hall: Race, Freemasonry, and Material Culture In Boston, 1775-1870, Sueanna Smith

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Wonderland Station, Melanie Elizabeth Walker

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Creation’s Face in Moby-Dick, Richard Jackson Guignard Wells

Theses/Dissertations from 2020

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“That Confusion of Who Is Who, Flesh and Flesh”: Mothers, Daughters, and the Body in Postwar and Contemporary American Literature, Jennifer Renee Blevins

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Septentrionalism: Whiteness and 19th Century Representations of Scandinavia, Madison Elisabeth Boland

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A Return to Turtle Island: Eco-cosmopolitics in American Indian Literature, 1880-1920, Kristen Brown

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Reviving Rhetoric Through Conversation: Feminist Rhetorical Pedagogies for a Deliberative Democracy, Sadie Suzanne Carr

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Ivy Dreams On, Emily Davis

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Aesthetic Activisms: Language Politics and Inheritances in Recent Poetry From the U.S. South, Sunshine Dempsey

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Calculating a Hero: Computational Analysis and Chivalry in Chaucer’s the Canterbury Tales, Alexander Handley Humphreys

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Beowulf : A Translation in Blank Verse, Alexander Jones

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Text Mining Contemporary Popular Fiction: Natural Language Processing-Derived Themes Across Over 1,000 New York Times Bestsellers and Genre Fiction Novels, Morgan Lundy

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The Logic of Capital and the Possibility of Resistance in Chris Abani’s GraceLand, Caleb Smith

Theses/Dissertations from 2019

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Sand, Water, Salt: Managing the Elements in Literature of the American West, 1880-1925, Jada Ach

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Russian Roots in Southern Soil, James Preston Edge

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A Conceptual Mapping Approach for Presenting a Practical Past: Addressing Responsibility Through Contextualization in Information System Design for the Ward One Mobile Application, Sadia Obaid Khan

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The Warped One: Nationalist Adaptations of the Cuchulain Myth, Martha J. Lee

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Divine Absence, Divine Presence: The Theological Arguments of Elizabeth Singer Rowe’s the History of Joseph, Laura MacGowan

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Women’s Writing and the Poetics of Scientific Knowledge, 1620-1740, Rachel Mann

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The Judgement of Southern Motherhood in Works by Doris Betts, Gail Godwin, Dorothy Allison, and Kaye Gibbons, Jennifer Martin

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Building Worlds Out of Inadequate Materials: Infrastucture and Affect in John Dos Passos’ Manhattan Transfer and John Steinbeck’s the Grapes of Wrath, David Scott Mathews

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Beyond the Limits of Sight, Catherine Ntube

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The Conversational Dynamic in American Public Life, Hannah Goff Spicher

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“A Solid Foundation of Stable Possessions”: Gendered Genealogies in Shirley Jackson’s We Have Always Lived in the Castle, Andi Waddell

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Moral Ambiguity in the Works of Cormac McCarthy, Christina Xan

Theses/Dissertations from 2018

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Not-So-Compehensive Health Education: Teacher Attitudes Toward Heteronormative Sexuality Education, Sarah Elizabeth Burnham

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“Be Of Knightly Countenance”: Masculine Violence And Managing Affect In Late Medieval Alliterative Poetry And Batman: Under The Red Hood, Lisa D. Camp

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Building Community Within the Writing Center, Candace Cooper

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“As The Occasion Demands”: Constraint-Based Practice In Rhetoric And Composition, Erica Kerstin Fischer

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Sir Walter Scott And Lady Anne Lindsay: New Light On Their Relationship, Sarah Flatt

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Frontier Re-Imagined: The Mythic West In The Twentieth Century, Michael Craig Gibbs

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Twisting Reality for a Cause: American Mythology, Early Surrealism, and Audience Empowerment in the Works of George Lippard, Joseph Samuel Hall

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Writing With Risk: Dangerous Discourses And Event-Based Pedagogies, Ben Harley

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Rhetoric and Plants, Alana Hatley

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An Existentialist Approach to Teaching Writing: Anguish, Bad Faith, and Seriousness in Composition, Andreas Peter Herzog

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‘Held By Thy Voice’: Navigating Time In John Milton’s Poetry, Jessica Junqueira

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Showing One’S Manhood: The Social Performance Of Masculinity, Fayaz Kabani

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Backcountry Robbers, River Pirates, and Brawling Boatmen: Transnational Banditry in Antebellum U.S. Frontier Literature, Samuel M. Lackey

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Aporetic Rhetoric: The Use of Uncertainty in Healthcare Contexts, Adam S. Lerner

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Print On Demand: Stereotyping And Electrotyping In The United States Printing Trades And Publishing Industry, 1812-1860, Jeffrey Michael Makala

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Fighting Rhetoric And Training Composition: Theory And Pedagogy Of Mixed Martial Arts Argument, Trevor C. Meyer

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Temporal Collapse And Historical Erasure In David Mitchell’s Cloud Atlas, Amy Rogers

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“Poetry Doesn’T Restore Ecosystems”: Garbage And Poetry In The Anthropocene, Joseph Russell Hendryx

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The Ghosts Of Lucy Snowe: Queer Temporality In Villette, Lauren Schuldt

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The Leap In Place: Rethinking Key Concepts In The History Of Composition And The Return Of Lore., David Stubblefield

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Unlovely Mechanical Devices: Disability, Masculinity, and Sexuality in Victorian Fiction, Derek V. Bedenbaugh

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Bodies In Play: Female Athleticism In Nineteenth-Century Literature, Jillian Weber

Theses/Dissertations from 2017

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Cross Roads of the Living and the Dead: Necropolitics and Market Logic in Chris Abani's Graceland, Joshua Dunn

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Walter Brut's Utilization of Profeminine Rhetoric Towards Ecclesiastic Reformation, Ashley Gomez

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The Nature of Power and Corruption in Plato and J.R.R. Tolkien, Lily Howard-Hill

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Queer Practices, Queer Rhetoric, Queer Technologies: Studies of Digital Performativity in Gendered Network Culture, Gerald Jackson

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Engendering Ethics through Practice in the Project-Based Business Communciation Course, Jonathan H. Jackson

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Risky Business: Case Study Pedagogy and Business Communication, Jonathan A. Maricle

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Translingual Conversations: Interrogating Default Whiteness in College Writing, Stephanie Eve Boone Mosher

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“Present Mirth Hath Present Laughter; What's To Come Is Still Unsure”: Death And Humor In Early Modern England, Elisha James Sircy

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Song of the Scapegoat: How Silence Augments Kenneth Burke’s Notion of the Scapegoat in Political Rhetoric, Mary Elizabeth Smith

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Toward a Networked Feminist Pedagogy for Composition, Leah Vitello

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Fugitive Verses & Faded Histories: Recovering The Poetry & Influence Of The British American Loyalists, Michael C. Weisenburg

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We [Still] Have a Moment: Multimodal Values and Curricular Practices in a First-Year Writing Program, Kelly L. Wheeler

Theses/Dissertations from 2016

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The Poetry Of Wilmer Mills, Rachael Acheson

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Textile As Intercessor: Understanding Margery Kempe's Sartorial Body, Hannah Lynn Davis

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Education Through Violence In Modern American Literature, Adam Griffey

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From The Multi To The Modal: Relations In Multimodal Composition, Sebastian Ivy

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Patient Agency, Terministic Screens, and The Role of the Public in the Cases of Karen Ann Quinlan and Terri Schiavo, Ashley Marie Moore

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Becoming South: Postmodern Southern Distinction, Melody Knight Pritchard

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The Classical And The Christian: Tennyson's Grief And Spiritual Shift From "The Lotos-Eaters" To "Ulysses", Carleen Lara Miller Ratcliffe

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Bound Bodies: Book Use And The Early Modern Reader, 1450-1660, Emily Rendek

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Tarred and Floral: Femininity, Race, and the Abject in Bayou, Chalice Ritter

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The Last Gentlemen: Southern Conservative Superfluity and the Work of William Alexander Percy, Walker Percy, and Peter Taylor, William Matthew Simmons

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The Civil, Silent, and savage in Ishiguro's The Buried Giant, Alexander J. Steele