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Abstract

Examines Hugh MacDiarmid’s “citational poetics” – that is, his practice of selecting material from a wide range of pre-existing texts, before transforming that material and then combining it in his own work, often without attribution – and shows how reading MacDiarmid’s long 1955 poem In Memoriam James Joyce with reference to this practice places that text within the lineage of “provincial modernism” identified by Robert Crawford.

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