Abstract
Discusses critical responses to James Robertson’s novels The Fanatic (2000) and The Testament of Gideon Mack (2006), and with particular reference to the character of John Lauder in The Fanatic, arguing that, rather than the political and psychological aspects represented by other characters, the religious perspective of Lauder offers a relevant creative alternative.
Recommended Citation
Jack, Alison
(2019)
"Hearing Competing Voices in James Robertson’s The Fanatic,"
Studies in Scottish Literature:
Vol. 45:
Iss.
2, 67–74.
Available at:
https://scholarcommons.sc.edu/ssl/vol45/iss2/10