Abstract
Discusses the 1920s Russian political theatre movement Blue Blouse, as seen in 1926 by the American Hallie Flanagan (later director of the Federal Theatre Project), the Scottish radical theatre group 7:84, the Scottish company's successful Russian tour in 1982, and parallels between the two in approach and staging as analysed by 7:84's John McGrath.
Recommended Citation
Karoula, Rania
(2018)
"From Meyerhold and Blue Blouse to McGrath and 7:84: Political Theatre in Russia and Scotland,"
Studies in Scottish Literature:
Vol. 44:
Iss.
1, 21–28.
Available at:
https://scholarcommons.sc.edu/ssl/vol44/iss1/4
COinS