Discusses the changes in Scottish religious practice and adherence from just before the First World War, through to the early 1930s, through the representation of the Church of Scotland in Lewis Grassic Gibbon's Scots Quair trilogy: Sunset Song (1932), Cloud Howe (1933), and Grey Granite (1934), with briefer comment on other writings by the same author writing as J. L. Mitchell. and a final comparison between Gibbon's portrayal of religious change and that in an earlier Scottish novel, John Galt's Annals of the Parish(1821).
"'A Thin and Tattered Veil': Lewis Grassic Gibbon and the Church of Scotland,"
Studies in Scottish Literature:
Available at: https://scholarcommons.sc.edu/ssl/vol43/iss1/11