Date of Award

Spring 2024

Degree Type

Thesis

Department

English Language and Literatures

Director of Thesis

Dr. Susan Felleman

Second Reader

Dr. Catherine Keyser

Abstract

During the mid-20th century, a wide-ranging yet topically focused genre of women’s writing began to emerge in earnest, currently categorized as existential and confessional. Works like Simone de Beauvoir’s The Second Sex (1949) and Betty Friedan’s The Feminine Mystique (1963) offer explanations of why an ineffable feeling of malaise permeated the lives of 20th-century women and led them to adopt these methods of writing and thinking. However, existential feelings akin to that of the 20th-century female malaise have returned to stake their claim on the minds of 21st-century women, evidenced in popular contemporary works such as Otessa Moshfegh’s My Year of Rest and Relaxation (2018). Why have women been unable to escape this looming feeling when they have made considerable advancements in both the personal and professional realms since the mid-20th century? This thesis seeks to explicate the cyclical, contemporary rise in existential and confessional women's writing and women readers through exploration and analysis of sociopolitical influences and mid-20th century women writers—Joan Didion, Sylvia Plath, Françoise Sagan, and Anne Sexton—to positively position this resurgence as a rightful response to the female situation within patriarchal society.

First Page

1

Last Page

52

Rights

© 2024, Sophie Elisabeth Conrad

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