Submissions from 2010
Tackling Universal Women as a Research Problem: What Historiographic Sources Do and Don’t Tell Us about ‘Gender’ in the Silent Motion Picture Studio, Mark Garrett Cooper
Universal Women: Filmmaking and Institutional Change in Early Hollywood, Mark Garrett Cooper
Submissions from 2008
Program Notes for If My Country Should Call, Mark Garrett Cooper
Studio History Revisited: The Case of the Universal Women, Mark Garrett Cooper
Writings, by Vilém Flusser, Mark Garrett Cooper
Submissions from 2004
Spectatorship, Mark Garrett Cooper
The Contradictions of Minority Report, Mark Garrett Cooper
Submissions from 2003
Love Rules: Silent Hollywood and the Rise of the Managerial Class, Mark Garrett Cooper
Submissions from 2002
Narrative Spaces, Mark Garrett Cooper
Submissions from 1998
Love, Danger, and the Professional Ideology of Hollywood Cinema, Mark Garrett Cooper
Parallel Tracks: The Railroad and Silent Cinema, by Lynne Kirby, Mark Garrett Cooper