Abstract
Discusses and analyzes Robert Louis Stevenson's use of the narrator's voice in his short, unfinished novel Weir of Hermiston, comparing his narrative strategies with those of Walter Scott, George Moore, George Douglas Brown, D.H. Lawrence, and Lewis Grassic Gibbon, concluding that "Stevenson’s fictions are experimental works," that "respond ingeniously to the dominant and quasi-official formulae and assumptions of writers of classic Victorian novels, and in turn establish an important model from which subsequent British novelists ... could learn."
Recommended Citation
Hughes, Gillian
(2016)
"Authority and the Narrative Voice in Stevenson's Weir of Hermiston,"
Studies in Scottish Literature:
Vol. 42:
Iss.
2, 234–247.
Available at:
https://scholarcommons.sc.edu/ssl/vol42/iss2/9