Abstract
Discusses Walter Scott's first published poem The Lay of the Last Minstrel (1805), exploring the relation between Scott's use of disguise and distancing devices with his use of anonymity in his fiction, and explores the intertextual relationships between his poem and other poems of the romantic era.
Recommended Citation
Lau, Beth
(2014)
"Authorial Disguise and Intertextuality: Scott’s The Lay of the Last Minstrel, Coleridge, and Keats,"
Studies in Scottish Literature:
Vol. 40:
Iss.
1, 116–133.
Available at:
https://scholarcommons.sc.edu/ssl/vol40/iss1/12