Date of Award
Open Access Dissertation
School of Music
This study is a performance guide that traces the compositional style of Dan Welcher, a well-known composer and former principal bassoonist of the Louisville Symphony and professor of bassoon at the University of Texas, through an examination of two works in which the bassoon is a prominent solo instrument: Concerto da Camera (1975) and The Wind Won’t Listen (2002). These works, a concerto and a chamber piece, span a period of almost 30 years in Welcher’s career. The study also includes a survey of other chamber music by Welcher involving the bassoon. It relates the two focal pieces to the greater bassoon repertoire by examining elements of form, style, harmonic language, and those of a programmatic nature. Suggestions for performance are included based upon their relevance to these considerations. Also included in this document are a discography of recordings of each piece and a collection of available program notes.
Hanna, R. A.(2015). Two Pieces for Bassoon by Dan Welcher: a Guide to Performance and Analysis, Including a Survey of Welcher’s Chamber Music with Bassoon. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3625