Date of Award
Open Access Dissertation
School of Music
Olivier Messiaen (1908–1992) was one of the leading composers of the twentieth century. He was renowned for developing his own personal style of composition of which he outlined in his Technique de mon Language Musical. This style includes the use of color chords, birdsong, plainchant, and Hindu and Greek rhythms. His compositions were written for, and championed by conductors such as Pierre Boulez, Kent Nagano, Seiji Ozawa, and of course his primary artistic partner, pianist Yvonne Loriod.
Over the course of his compositional career, Messiaen wrote five works for winds and percussion. The first three works Oiseaux exotiques, Couleurs de la Cité céleste, and Et Exspecto Resurrectionem Mortuorum were written over a span of eight years early in Messiaen’s career from 1956 to 1964. The last two works Un Vitrail et des Oiseaux and La Ville d’En-Haut were written over a span of two years late in Messiaen’s career from 1986 to 1987. Of all five works, Oiseaux exotiques has received the most attention from scholars and conductors thus far.
The second work, Couleurs de la Cité céleste is underperformed and will benefit from additional study. This study is intended to increase the number of informed performances of Couleurs de la Cité céleste in the United States by serving as a guide that will assist the conductor in gaining the understanding necessary to approach this monumental work.
King, M. T.(2015). Olivier Messiaen’s COULEURS DE LA CITÉ CÉLESTE: A Conductor’s Guide. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3621