Theses/Dissertations from 2017
April 26th., Carin Bendas
The Hanging of a very Tall Man, Matthew Cavender
An Evaluation of Scenic Design, William Baxter Engle III
Costume Design: Communication through Dress, Rachel Amanda Harmon
We Sit as Kings, Josh Jeffers
The Reflection, Tamara Joksimovic
Persons: A one Woman Play, Rachel Kuhnle
The Theatrical Laboratory: A Methodology for Educating Empathy, Anna Lee Percuoco
Where the Light Shines Through, Rachel A. Sheets
The Conclusion, Neda Spalajkovic
Faustus Revisited: A Cultural, Historical, and Artistic Study, Ryan Stevens
The Thought. The Force. The Love. The Joy. The Hope: An Ode to the Seldom Heard, Candace Thomas
Towards Gender Inclusive Representation in the Theatre: The Actor and the Spectator, Jeanette Thomas
Obsidian in Sand: A reflection on Tokenism and the fight for visibility in predominately white spaces, and a declaration that Black Lives Matter, Dimitri Jai Woods
Theses/Dissertations from 2016
Unmarked Boxes: A Solo Show, Nicole Dietze
Theses/Dissertations from 2015
Lists in a Lighthouse, James Patrick Costello
A Work in Process: The Diligence Behind the Art, Marc Hurst
TREAT, Leeanna Rubin
Theses/Dissertations from 2014
Collaborative Costume Design, April Emily Andrew
Scenic Design: A compilation, Kelly Meredith Paysinger Hart
The Aesthetic Which is Not One: The Feminist (un)Aesthetic in the Works of Caryl Churchill and Suzan Lori-Parks, Kathren Martin
COSTUME DESIGN: A VISION FROM PAPER TO REALITY, Caitlin Joye Moraska
The Definition of Youth, Jessta Noel
Costume Design: More Than Imagination, Sean Anthony Smith
Theses/Dissertations from 2013
Altar And Stage: Liturgical Drama in Three Theatrical Traditions, Patrick Kenneth Boos
Interviews On Main, Amanda Rose Forstrom
From Idea to Screen, the Making of Residiuum, Christopher Fowler
The Flying University, Catherine Friesen
Black Feminine Identity: An Examination of Historical and Contemporary Dramatic Texts Through a Critical Race Theory Framework, Devair Jeffries
Moonbird, Samuel Kinsman
The Development of the Femme Fatale on Stage as Seen in the Works of Jesse Lynch Williams and Edna St. Vincent Millay, Hillary Elizabeth MacArthur
Without A Net: Creating A One-Man Show, Joseph Timothy Mallon
The Definition of Youth, Jessta Noel
Ziggy the Clown, Donald T. Russell
Tal Como Eres, Yvonne Gabrielle Senat
Theses/Dissertations from 2012
Errors are a Gateway to Discovery: Development of a Fledgling Designer, Heather Evangeline Abraham
Anthony Soprano; Aristotelian Tragic Hero, Anti-Hero, or Thug; and Why We Watch, Charles Cornelius Curran
The Best of Times, the Worst of Times: 3 Years of Experiments In Graduate Lighting, Ian Michael Del Duca
M4M, Ricardo Andrés Hernandez
An Investigation of Theatrical Phenomenology, Clarke O'Neal Tucker
Theses/Dissertations from 2011
From Art to Stage: Finding A Voice In Costume Design, April Janette Brown
Technicolor Memoirs of Miss Gene Lily Richardson, Brian Clowdus
Sifting, LaToya Ebony Codner
A Directing Process: Professional Training, Brian Taft Hanscom
The Rub, Daniel Ryan Hill
Solo Show and Personal Working Process, Ying Lin
Eating Marigolds, Sonya G. Thompson
A Journey Through Costumes, Amy Turner Thomson
Man In the Chair, Todd Zimbelman
Theses/Dissertations from 2010
Colonized by Fear: A Postcolonial Reading of Post-9/11 Theatre, Jennifer Ann Goff
Perennial Miracle of Modest Interpreters': Charlotte Delbo'S Th├Â┬⌐├Â┬Ótre Concentrationnaire, Miriam Hahn
"Perennial Miracle of Modest Interpreters": Charlotte Delbo's Théâtre Concentrationnaire, Miriam Hahn
EVERYTHING IS SUBJECT TO CHANGE: in complete trust from the writer, Ryan Krause
Thinking Long Distance, Katherine Rose Krueger