Abstract
Discusses three stage adaptations of Scott's poem The Lady of the Lake, by Thomas Dibdin for the Surrey Theatre, London, John Edmund Eyre, for the Theatre Royal, Edinburgh, and Thomas Morton for Covent Garden, arguing that these popular melodramas shaped popular perception of how Scott's poem engaged the Highland landscape.
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Recommended Citation
Nestor, Mary
(2018)
"Claimed by the Stage: Popular Dramatization and the Legacy of The Lady of the Lake,"
Studies in Scottish Literature:
Vol. 44:
Iss.
2, 13–22.
Available at:
https://scholarcommons.sc.edu/ssl/vol44/iss2/3
COinS