Date of Award

2018

Document Type

Open Access Thesis

Department

English Language and Literatures

Sub-Department

College of Arts and Sciences

First Advisor

Gretchen Woertendyke

Abstract

This article examines Philadelphia writer George Lippard's often-overlooked usage of literary conventions more typical outside of the genre he is most famous for, socialreform city fiction. In particular, the article focuses on Lippard’s vision of an American mythology, proto-surrealistic imagery, and demands for audience response and interaction. Various works are analyzed, most prominently: stories from Washington and His Generals, The Rose of the Wissahikon, Adonai: The Pilgrim of Eternity, and The Killers. The article concludes that Lippard values the artfulness of historical romance over presenting historical fact, recognizing the ability of the romance to instigate a greater collective response in his audience

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