Abstract
Argues that Thomas Carlyle's fictional autobiography from the 1830s deserves recognition as one of the most experimental of Scottish novels and suggests some ways in which it anticipates a fictive self-consciousness often thought of as post-modern.
Recommended Citation
Chittick, Kathryn
(2017)
"Thomas Carlyle, Sartor Resartus (1834),"
Studies in Scottish Literature:
Vol. 43:
Iss.
2, 186–187.
Available at:
https://scholarcommons.sc.edu/ssl/vol43/iss2/4