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Theses/Dissertations from 2016

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The Choral Music Of Daron Aric Hagen And A Conductor’s Analysis of Flight Music, Jay B. Aiken

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Music Majors And Meditation Practice: A Phenomenological Study, Travis N. Baird

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An Analysis of Selected Art Songs for High Voice by Adolphus Hailstork, A Performer's Guide, Angela Renee Blalock

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21st Century Choral Performance Practice: Presenting the Mash-Up With Practical Applications, Justin Xavier Carteret

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A Survey of Attitudes Towards Burnout Among Music Students at The University of South Carolina School of Music, Philip David Castro

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The Wind Works Of Louis Andriessen: A History And Comparative Analysis, Paul Adam De Cinque

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A Comprehensive Examination Of The Saxophone Chamber Music Of John Fitz Rogers, Gabriel Michael Anthony Fadale

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Social Music Interaction between Three-year-old Children and a Music Teacher, Erika Michelle Hubbell

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Post-Genre: Understanding The Classical-Jazz Hybrid Of Third Stream Music Through The Guitar Works Of Frederic Hand, Ralph Towner, And Ken Hatfield, Andrew Jurik

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The Music of Nicola Ferro: A Description and Performance Guide to Tetralogy of the Sun Suite and Annotated Guide to Published Works, Bradley James Keesler

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The Electric Marimba: A Study Of Selected Works For Marimba With Electronic Effect, Brett Bernard Landry

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Teresa Carreno: Pianist, Composer and Pedagogue. Her Life And Work From The Perspective Of Virtuoso Piano Playing At The End Of The 19th Century, Claudio Olivera

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The Guitar and Hausmusik in the Late 18th and Early 19th Centuries, Jeremy Polley

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A History Of The Plagal-Amen Cadence, Jason Terry

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Creating and Implementing Community-Based Performance Programs: A Guide for the Applied Studio Teacher, Lauren Watkins

Theses/Dissertations from 2015

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A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher, Diana Carol Amos

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Gestalt Principles in Ligeti’s Piano Etude “Desordre”, David William Batchelor

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An Annotated Bibliography of Saxophone Works by Taiwanese Composers, Po-Fang Chang

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Expanding the American Canon: A Conductor's Compendium of Black American Orchestral Composers, Nseobong Ekpo

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Two Pieces for Bassoon by Dan Welcher: a Guide to Performance and Analysis, Including a Survey of Welcher’s Chamber Music with Bassoon, Reed Aaron Hanna

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H. Villa-Lobos' Concerto Para Piano E Orquestra N. 4: A Stylistic Analysis, Vicente Della Tonia Junior

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Olivier Messiaen’s COULEURS DE LA CITÉ CÉLESTE: A Conductor’s Guide, Michael Thomas King

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Frank Martin's Arranged Works for Flute: Sonata Da Chiesa and Deuxieme Ballade, Jessica Dixon Leeth

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H. Leslie Adams' Twenty-Six Etudes for Solo Piano: A Performance and Stylistic Analysis, Aaron Balthazar Mathews

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H. Leslie Adams’ Twenty-Six Etudes For Solo Piano: A Performance And Stylistic Analysis, Aaron Balthazar Mathews

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Carl Friedrich Zelter’s Kantate Auf Den Tod Friedrichs: An Historical Overview, Conductor’s Guide, And Modern Edition, Dustin C. Ousley

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Teachers’ Observations of 2-Year-Old Children’s Musical Vocalizations Elicited by Purposeful Silence Techniques, Kathryn Ward Reardon

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The Wind Ensemble Trilogy of Joseph Schwantner: An Examination of the Close Musical Relationship Between "And the Mountains Rising Nowhere," "From a Dark Millennium," and "In Evening's Stillness..." With an Approach to Programming the Works as a Trilogy, James Willson Taylor II

Theses/Dissertations from 2014

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A Soul Composed of Harmonies: George Herbert's Life, Writings, and Choral Settings of His English Poetry, Benjamin Todd Ebner

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A Performer's Guide for Two Solo Song Cycles by Darius Milhaud (1892-1974): Catalogue de fleurs, opus 60 & Six Chansons de Théâtre, opus 151b, Jolene Elizabeth Flory

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Arts Entrepreneurship: An Essential Sub-System of the Artist's Meta-Praxis, Jonathan Gangi

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SHAPE-NOTE HYMNODY AS SOURCE MATERIAL FOR MODERN AND POST-MODERN CHORAL ART MUSIC, David C. Guthrie

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Expansion and Contraction in Movements I and VII of Gyorgy Ligeti's Hamburg Concerto, Andrew Charles Hannon

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A MUSICAL ANALYSIS AND EDITION OF THE CANTATA, Raymond Hebert

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AHARON HARLAP'S DAVID AND GOLIATH A CONDUCTOR'S GUIDE AND MUSICAL ANALYSIS, TOMMER N. HESSEG

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Critical Editions and Comparative Analysis of Three Representative Wind Band Works from the French Revolution, Adam Gary Kehl

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Improvisation in a Fourth-Grade Music Class, Lauren Julia King Driscoll

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Toward an Understanding of Contemporary Korean American Piano Music: A Stylistic Analysis of In-transit (1999), Piano Sonata (2006), and Inter-Mez-Zo (2006) by Beata Moon, Ka-Young Lee

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The Culture and History Surrounding “Szomorú nόták” of Béla Bartόk’s Twenty Hungarian Folksongs and Its Influence on Bartók’s Settings, Mary Katherine Rawls

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The Conscious Guitarist: Alexander Technique and Body Mapping for Guitarists, Alma Sehic

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Effects of Sight Singing Using Moveable-DO Solmization on the Transposition Performance of Undergraduate Group Piano Students, Michelle Irene Wachter

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Fusion of Classical Virtuosity and Jazz Techniques in the Etudes of Nikolai Kapustin: Eight Concert Etudes, OP. 40, and Five Etudes in Different Intervals, OP. 68, Ruby Wang

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The Remaking of an American Opera: A Detailed Look at Carlisle Floyd's Grand Opera 'The Passion of Jonathan Wade', Joshua R. Wentz

Theses/Dissertations from 2013

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Atmospheric Patterns and Asian Typhoon Landfalls, Ivetta Abramyan

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The Symphonious Saxophone: A History of the Large Saxophone Ensemble with a Quantitative Analysis of Its Original Literature, Andrew Justin Allen

The Symphonious Saxophone: A History of the Large Saxophone Ensemble With A Quantitative Analysis of Its Original Literature, Andrew Justin Allen

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The Music of James Reese Europe For Vernon and Irene Castle, Ralph G. Barrett

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Three Musical Translations For Trumpet and Organ Based On Visual Artwork., John Harrison Bryant

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Comparative Audiation Difficulty of tonal, Rhythm, and Melodic Patterns Among Grade 4 Students, Alan Danahy

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The Wind Chamber Works of Ernst toch: A History and Comparative Analysis, C. Nicole Gross

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An Essay on Musical Narrative Theory and Its Role in Interpretation, with Analyses of Works for Saxophone by Alfred Desenclos and John Harbison, Ian MacDonald Jeffress

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Josef Hofmann: An Analysis of Selected Solo Piano Works, Steven Joseph Mastrogiacomo

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The Meaning and Purpose of Quotation and Stylistic Reference In Hans Werner Henze's Requiem: Nine Sacred Concertos For Piano Solo, Trumpet Concertante, and Large Chamber Orchestra (1990-92), Daniel C. Pappas

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Piano Music of Elisenda FÁbregas: A Stylistic Analysis, JINHA PARK

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Forgotten Russian Piano Music: the Sonatas of Anatoly Aleksandrov, Irina Pevzner

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The Artist's Gauntlet: A Singers' Physiological Responses to the Stimuli of Rehearsing and Performing, John H. Pritchard

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An Analysis of and Conductor's Guide to Eleanor Daley's Requiem, Andrew James Robinette

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Chamber Music in Alternative Venues In the 21st Century U.S.: Investigating the Effect of New Venues On Concert Culture, Programming and the Business of Classical Music, Sarah May Robinson

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An Investigation of Selected Collegiate Voice Teachers' Descriptions of Repertoire Selection Practices., David Stephenson

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Made in Japan: Kumi-Daiko as a New Art Form, Anna Marie Viviano

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Conrad Susa's Discovery and Praises: A Conductor'S Guide to Performance Considerations, Keith Harry Walker

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A Case Study of Three African-American String Players Participating in a Community Orchestra, Kimberly Prescott Williams

Theses/Dissertations from 2012

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Twelve-tone Techniques in a Work for Guitar by Milton Babbitt, Brian Bemman

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Gustav Mahler and His Disciples: An Exploration of Tempo In the Bruno Walter and Otto Klemperer Recordings of the Ninth Symphony, Matthew Busse

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Supporting the New English Translation of the Mass Ordinary: New Musical Resources For the Liturgy, Jose Calvar, III

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An Analysis of Arnold Schoenberg's Orchestral Transcription of Johannes Brahms's Piano Quartet NO.1, OPUS 25, Nové Deypalan

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Survey of Outreach offerings and Practices In Piano Areas of Community Music Schools Affiliated With Colleges and Universities Accredited by the National Association of Schools of Music, Anna Cheyenne Hamilton

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The Pitched Metronome: An Audition Preparation Resource For Trombonists, Justin Ross Isenhour

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Three Piano Pedagogues and Their Contributions to the Development of Piano Pedagogy In South Korea, Eunsung Jung

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Musical Humor and Beethoven's Symphonic Scherzi, Peter B. Kay

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The Choral Music of Donald Mccullough, Susan Marie Kelly

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A Scholarly Performance Edition of Selected Anthems, 24 December 1767, by Johannes Herbst, Moravian-American Composer, Daniel Kreider

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An Analysis of Max Reger's Suites for Unaccompanied Cello, Brenda Heidhoff Leonard

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A Comparative Analysis of the First and Second Symphonies of Émigré Composer Hans Gál (1890-1987), Richard Marcus

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A Case for Music as Therapy: “Healing and Purgation,” and the Expressiveness of Music from Antiquity through the Eighteenth Century, Emily Sara Monk

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The Self-Efficacy Beliefs of Three Adults Returning to Piano Study, Sarah Evans Moore

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The Late Unaccompanied Choral works of Ralph Vaughan Williams: A Conductor's Analysis and Performance Guide, David Lee Schroeder

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Adult Amateur Musicians and Melodic Error Detection, Matthew D. Talbert

Theses/Dissertations from 2011

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Modeste Mussorgsky's Songs and Dances of Death (A Performer's Guide), Peter Alan Barton

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Rebecca Clarke's Sonata for Viola and Piano and William Walton's Concerto for Viola and Orchestra: A Comparison of Form and Viola Technique, Alvoy Louis Bryan, Jr.

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Theories of Rhythm and Meter and Their Pedagogical Implications For Non-Pitched Percussion Music With An Analysis of William Kraft's French Suite, Christopher Allan Davis

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Contemporary Brazilian Styles: Supplemental Piano Teaching Materials for a First Year Curriculum, Claudia Fernanda Deltregia

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A Stylistic Analysis of Stephen Heller's Nuits Blanches OP. 82, Junichiro Harada

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Amount of Practice and Practice Strategies of Seventh Grade Orchestra Students, Virginia Elaine Harpine

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The Organ As Catalyst For Theological Change: The History and Role of the Organ At Kahal Kadosh Beth Elohim, Charleston, South Carolina, Jennifer Zoellner Marshall

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The Necessity of Extra-Curricular Activities For the Undergraduate Vocal Performance Major: How Performance Opportunity Correlates With Success, Zachary Kendall Marshall

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A Survey of Music Performance Anxiety: Definition, Causes and Treatments, Lacey Hutchison Marye

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The Growth of Third Stream Music In the Wind Band Repertory: A Study of Jazz Influences In Three Selected Compositions, David Wilson Montgomery

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The Rescuer in Danger: A Scholarly Performance Edition of Franz Xaver Süssmayr's Secular Cantata, Der Retter in Gefahr, Mark Nabholz

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John Gary Cook: Methodology of A Master Music Educator, Mohamad S. Schuman, Jr.

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Buttitta's Folk Opera Diggin' the Ring: The Ring Cycle, Songs of Protest, and the American Left, Ryan F. Smith

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Text Painting In Significant Verses of Selected Settings of Psalm 116 Taken From Angst Der Hellen Und Friede Der Seelen, A Collection of Sixteen Motets On Psalm 116 Compiled by Burckhard Grossmann (Jena, 1623), Chris Eugene Stegall

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the Solo Piano Works of Henri Dutilleux: A Stylistic Analysis, Rosemarie Suniga

Theses/Dissertations from 2010

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William Averitt's "Passion of Our Lord Jesus Christ According to St. Matthew": An Analysis With Conducting Considerations, Jennifer J. Adam

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todor Popov: A Historiography and A Conductor'S Analysis of His Choral Cycles, Matthew Thomas Caine

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Allure and Ideology in the Poetry of Gabriele D'Annunzio: Rediscovering Italian Art Song in Pre-Fascist Italy (1900-1930), Serena Dawn Hill

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towards An Understanding of Contemporary Korean-American Choral Music: Three Works by Hyun Chul Lee, Nack Kum Paik, and Dong Hwa Shin, HYUN-KU HELEN KANG

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A Comparison of the Styles of Liszt, Thalberg, Pixis, Herz, Czerny, and Chopin as Seen in Hexaméron, Seung-Ah Kim

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Claude Debussy's Nocturnes and His Musical Style In the1890s, Chun-Yi Liu

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Joint Music Attention Between toddlers and A Music Teacher, Anne A. McNair