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Submissions from 2010

Tackling Universal Women as a Research Problem: What Historiographic Sources Do and Don’t Tell Us about ‘Gender’ in the Silent Motion Picture Studio, Mark Garrett Cooper

Universal Women: Filmmaking and Institutional Change in Early Hollywood, Mark Garrett Cooper

Submissions from 2008

Program Notes for If My Country Should Call, Mark Garrett Cooper

Studio History Revisited: The Case of the Universal Women, Mark Garrett Cooper

Writings, by Vilém Flusser, Mark Garrett Cooper

Submissions from 2004

Spectatorship, Mark Garrett Cooper

The Contradictions of Minority Report, Mark Garrett Cooper

Submissions from 2003

Love Rules: Silent Hollywood and the Rise of the Managerial Class, Mark Garrett Cooper

Submissions from 2002

Narrative Spaces, Mark Garrett Cooper

Submissions from 1998

Love, Danger, and the Professional Ideology of Hollywood Cinema, Mark Garrett Cooper

Parallel Tracks: The Railroad and Silent Cinema, by Lynne Kirby, Mark Garrett Cooper