Date of Award
Open Access Thesis
Theatre and Dance
College of Arts and Sciences
This piece of writing is aimed at theatre practitioners who might not have a background in feminist critical theory. Its main function is to help these practitioners to aware of how they might- in the theatre- propagate gender stereotypes. It provides thorough and accessible explanations of the concepts central to feminist critical theory. It argues that in order to create a truly inclusive theatre, the spectator and the actor must be resistant towards gender-based oppression.
Thomas, J.(2017). Towards Gender Inclusive Representation in the Theatre: The Actor and the Spectator. (Master's thesis). Retrieved from http://scholarcommons.sc.edu/etd/4118